Slime season 3 album
These bars certainly don’t represent the sort of lyricism that’s typically revered in hip-hop, but damn if they aren’t entertaining.
His punchlines range from hilariously stupid (“She suck on that dick on a plane and I just called her airhead”), to sort of clever (“I’m not talking shit, but I’m ready to shoot some craps”), to simply head-scratching (“Monday morning, got a dentist appointment, lil bitch you can check out the dentures plate / I got so much jewelry, baby, I got so much water this shit like a mini lake”).
Switching flows and cadences on a dime, he spits some impossibly outrageous bars. The opener, “With Them,” is the perfect demonstration of what makes Young Thug so captivating. Thugger Thugger is one of the most creative MCs out today, and even if Slime Season 3 falls short of the high bar he’s set for himself, it still provides the opportunity to hear an emerging master at work. I still can’t say I’m hugely disappointed, however. So, yes, I have my issues with Slime Season 3 - the posse cut “Slime Shit” keeps Thugger out of the spotlight for far too long in favor of some phoned-in guest verses, regular Thug-collaborator London’s beat on “Memo” is basically the same instrumental as the one he laid down for Thug’s “Imma Ride,” and the project as a whole isn’t as entrancingly melodic as SS2, Barter 6, or Tha Tour. Slime Season 2, simply put, is one of new-school rap music’s best (and weirdest) epics. SS2 was more expansive, psychedelic, and melodic, and all of Thug’s producers and features were firing on all cylinders through the project’s absurdly long running time. Getting into Slime Season 3 itself, I’ll just come right out and say that it’s not as good as its immediate predecessor. The Slime Season series, thus, has set the stage for what we can expect from Young Thugger as a solo artist. And he evidently made his first high profile solo project, Barter 6, while in some sort of codeine coma while strangely mesmerizing, the album isn’t exactly a feverish display of inventive songwriting skill.
Meanwhile, Tha Tour (while one of my all-time favorite mixtapes) was a close collaboration with Rich Homie Quan and Birdman, and Thug appropriately toned back his antics in favor of group chemistry. 1017 Thug, for instance, found him trying to maintain the gritty image of his then-affiliates, the Brick Squad.
Slime season 3 album series#
Thug’s Slime Season mixtape series has thus far been the ATL rapper’s best and most large-scale display of his unique and infectious attitude.īefore Slime Season, Thugger’s projects had at least partially obfuscated the weirdo persona that’s now made him something of an icon in modern hip-hop. Young Thug’s music may not be especially cerebral, but it is possessed of a strange, drug-addled joie de vivre that’s undeniable.
All I can say is that it’d be unfortunate if you can’t bring yourself to enjoy modern trap music just because it rarely says anything deep and meaningful. I can’t really argue that Thug makes intellectual music. Unfortunately for Hopsin, this song is probably the most enjoyable moment on his entire album.Ī lot of bitter, misguided rappers and hip-hop nerds have argued for years that Young Thug (among other sing-songy ATL trappers) is not a real MC. His latest LP, cringe-inducingly titled Pound Syndrome, has a song called “No Words.” The cut finds him trying to talk shit about melodic rappers like Young Thug and Future by loading up on vocal effects and proceeding to sing complete gibberish over a hulking trap beat. He’s a self-important, holier-than-thou prick whose loud and obnoxious attempts at being “different” only really make him uniquely unlikable. Rapper/producer Hopsin is one of the worst things to come out of new-school hip-hop.